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#vietnamese

2 posts2 participants1 post today

"This month marks 50 years since the fall of Saigon and the end of the Vietnam War. It’s also the anniversary of many Vietnamese families arriving to start a new life in the Pacific Northwest. Thousands of people fled the country and became refugees in 1975, and many of those people ended up on the West Coast of the United States. According to census data, there are now more than 37,000 Vietnamese Oregonians."

opb.org/article/2025/04/21/the

OPB · ‘The Evergreen’: Vietnamese-Americans celebrate 50 years of living in the Pacific NorthwestBy Julie Sabatier | Steven Tonthat | Nadine Jelsing

One of my funniest @wikipedia edits!

I've learned some #Vietnamese on Duolingo, so I've been reading semi-random things about the history of Vietnam and ran into the article about its leader in the 1980s. It seemed odd that he worked on "paving the way for the new guava cause to move forward".

I found that the corresponding sentence in the Vietnamese Wikipedia article said "innovation" (đổi) in the same place, which made more sense. If you remove one letter from it, it becomes "guava" (ổi).

In my street portraits in Vietnam, I wanted to pay tribute to "modern street photography", this photographic culture born in the USA and nourished by modern and committed street photographs from 1935 to 1965. By setting up a black canvas, I wanted to add a new intention to the heart of a lively street in a small Vietnamese town.
The idea of ​​setting up an outdoor photo studio in the streets of this mountain community offered me a unique opportunity to document and celebrate the ethnic diversity of Vietnam. Women, men, old people, artisans, simple passers-by agreed to come and share a moment with this funny European photographer and his lens. A background, an optic, a light source and the authenticity of the subtle art of portraiture. Of the encounter. Of the other.
I loved that these people, from diverse and varied ethnicities, were proud and curious to share their heritage, and that they willingly took part in this photographic experience. Together, we tried to create a photographic initiative that transcends art by having a significant social impact. The art of the street photographer is not so much to be, during a brief moment of eternity, the master of time and space, it is above all to highlight often unknown stories that promote intercultural understanding. Portraits become visual ambassadors of diversity and inclusivity.

How I took this photo ? : Canon R3 EF70-200 f/2,8 at 100 mm 1/500e f5,6 Iso 1600 Manual Raw
#photo #art #vietnam #vietnamese #vietnamtravel #urban #studiowork #streetphotography #streetart #photography #portrait #digitalportrait #digitalart #digital #opensource #pixelfed #lookalikefilm #filmstyle #market #travel #vibes #travelphotography #traditionalart #florianlaunette #love #peaceful #ilovephotography #digitalart #studio #studiowork #people #women #woman #photography #canon #canonphotography #canonphotographers #lookargentik #traditional #peopleinthestreet #tribe

With my renewal effort to expand my non-English follows on Mastodon, I got reminded of "惑星": #Japanese way to describe Planet. Apparently it means "wandering stars" as we know the trajectory of planets is not so regular. But in #Chinese 惑 has a meaning of attractive, so since my youth I always feel that is rather romantic way to think about planet: an attractive star! Wondering what are the other #Hanzi language word for planet? eg #Korean and #Vietnamese ?

In my street portraits in Vietnam, I wanted to pay tribute to "modern street photography", this photographic culture born in the USA and nourished by modern and committed street photographs from 1935 to 1965. By setting up a black canvas, I wanted to add a new intention to the heart of a lively street in a small Vietnamese town.
The idea of ​​setting up an outdoor photo studio in the streets of this mountain community offered me a unique opportunity to document and celebrate the ethnic diversity of Vietnam. Women, men, old people, artisans, simple passers-by agreed to come and share a moment with this funny European photographer and his lens. A background, an optic, a light source and the authenticity of the subtle art of portraiture. Of the encounter. Of the other.
I loved that these people, from diverse and varied ethnicities, were proud and curious to share their heritage, and that they willingly took part in this photographic experience. Together, we tried to create a photographic initiative that transcends art by having a significant social impact. The art of the street photographer is not so much to be, during a brief moment of eternity, the master of time and space, it is above all to highlight often unknown stories that promote intercultural understanding. Portraits become visual ambassadors of diversity and inclusivity.

How I took this photo ? : Canon R3 EF70-200 f/2,8 at 100 mm 1/500e f5,6 Iso 1600 Manual Raw
#photo #art #vietnam #vietnamese #vietnamtravel #urban #studiowork #streetphotography #streetart #photography #portrait #digitalportrait #digitalart #digital #opensource #pixelfed #lookalikefilm #filmstyle #market #travel #vibes #travelphotography #traditionalart #florianlaunette #love #peaceful #ilovephotography #digitalart #studio #studiowork #people #women #woman #photography #canon #canonphotography #canonphotographers #lookargentik #traditional #people #tribe

I’m going to a photography workshop in November in Hanoi in northern Vietnam, and I’ve never really been to a country where I don’t speak or at least understand the language. I’m gonna take up the challenge to become semi fluent until then. Does someone here have experience with becoming fluent in a tonal language coming from English/french/german?

I am following the path laid out in “fluent forever” (focus on sound, pronunciation, don’t translate, SRS).

Further, any links about contemporary art, culture, tech scene in Hanoi (or Vietnam in general) much appreciated.

I'm posting about Teochew & Vietnamese revolutionaries this week. I wasn't taught anything about the heroes & heroines from both of my cultural backgrounds because I grew up in Canada, with white colonial education. My mind was heavily colonized by that. I started the decolonization of my mind journey in the 90s & am going to be doing it for rest of my life because the colonial programming runs deep.

I want people to learn more about the brave #Chinese & #Vietnamese people who took many risks & sacrificed a lot for their peoples. I want people to learn that my peoples & our ancestors, from both my backgrounds, weren't uneducated savages & we didn't need to be controlled by colonizers or imperialists. Many of our ancestors & their comrades were strong revolutionaries, who were very intelligent, dignified & courageous.

Nguyễn Thị Bình (born 26 May 1927), also known as Madame Bình & Mother of Vietnam, is a South #Vietnamese #revolutionary leader, #diplomat & #politician. She became internationally known for her role as the #VietCong (NLF)'s chief diplomat & leading its delegation to the Paris Peace Conference. She later served in the government of reunified Vietnam after the Fall of Saigon & became the country's Vice President in 1992. She is the first woman in Vietnamese history to be appointed a cabinet minister.

Nguyen Thi Binh was the only woman to sign the Paris Agreement on Ending the War & Restoring Peace in Vietnam on 27th January 1973. South Viet Nam was liberated on 30th April 1975 & the two parts of Vietnam were finally brought together in 1976 as the Socialist Republic of Vietnam.

In her memoirs, she said: “My own life, in concert with the life of our nation, has helped me understand that seizing political power and demanding independence were extremely difficult, particularly when opposing colonialists and imperialists. However, maintaining political power and building a nation…is much more difficult.”

At Hanoi Peace Conference in November 2022, she stated:

“Having suffered numerous sacrifices, pain and loss during decades of struggle against foreign aggression and for peace, independence and freedom, the people of Vietnam deeply appreciate the value of peace,” she told those gathered. Warning that the danger of wars, including a nuclear catastrophe, is greater than ever before, she stressed the vital importance of “rallying and uniting peace forces and movements” to halt aggression and build a world of peace and justice for all.

Ref: Nguyen Thi Binh. Northeastern Dictionary of Women's Biography (3rd ed.). Boston: Northeastern University Press. 1999. ISBN 978-1-55553-421-9.

Ref: Brigham, Robert K. (2011). "Nguyen Thi Binh". The Encyclopedia of the Vietnam War: A Political, Social, and Military History (2nd ed.). ISBN 978-1-85109-961-0

Ref: Hy V. Luong (2003), Postwar Vietnam: dynamics of a transforming society, Rowman & Littlefield, ISBN 0847698653

Nguyễn Quyền (1869–1941) was a #Vietnamese #scholar & #AntiColonial #revolutionary #activist who advocated independence from #French #colonial rule. He was a contemporary of Phan Bội Châu & Phan Chu Trinh & one of Tonkin Free School's founders.

"The more I read the more I become aware that the things we studied, our examination system, were wrong – indeed the real reasons for our having lost our country. From that point on I was determined to seize upon our country's literature and on modern learning to awaken our citizenry."

Quyen advocated the modernisation of Vietnam's #education system. Around 1903 or 1904, Quyen met Tang Bat Ho, who had returned from his travels abroad & talked extensively about the modernisation of Japan. In 1904 he met with Phan Bội Châu, but Quyen had little in common with Chau's ideology of using violence to achieve independence. Quyen went on the work with Lương Văn Can & Le Dai in setting up the Dong Kinh Thuc Nghia, which sought to strengthen the Vietnamese people & thereby the likelihood of independence through the training of a new, more modern generation of scholars.

In 1908, Quyen was arrested in a general crackdown by French authorities and sent to jail on Côn Lôn island. He died in the prison which was infamous for torturing political prisoners.

Ref: Marr, David G. (1970). Vietnamese Anticolonialism, 1885–1925. Berkeley: University of California. ISBN 0-520-01813-3.

Continued thread

For 22,000 #Vietnamese & some #Cambodians, #CônSơn Island was literally the last stop on a journey that began with their arrest & incarceration on the mainland. Their crime? Resisting #ForeignInvaders du jour & fighting for their country’s independence & unification. In addition to execution, causes of death included disease & torture.

The French built the Côn Đảo prison complex in 1861 to hold #PoliticalPrisoners and handed it over to the South Vietnamese government in 1954. It was a political Alcatraz on steroids, with #inhumane living conditions, barbaric torture methods, no escape and, for many, no survival. The US & its client state collaborators honed this hell on Earth to #dystopian perfection.

Sáu was sent to 3 jails before being shipped to Côn Sơn Prison, because the French didn’t have the courage to carry out her death sentence on the mainland at a time when it was against #ColonialLaw to execute woman. She was the only female prisoner held by the French on Côn Sơn.

Like other Vietnamese who died for the cause of independence, Sáu, a national heroine who is celebrated in theater & song, was elevated to the status of ancestral spirit. Every Vietnamese city & town has a street named after her, as are many schools. She embodies the spirit of millions of Vietnamese throughout history, including soldiers of the First & Second Indochina War, who sacrificed everything, their youth, their health, their love, their personal happiness, & their lives, so that Vietnam could become a unified, sovereign nation.

“The lekima flower in full bloom, we are reminded of a heroine who died for future generations. The young lady so full of vitality fought against our enemies with firm spirit & even death could not force her to yield”. The song echoes in the mind of everybody who visits Hàng Dương cemetary in Côn Đảo district, Bà Rịa-Vũng Tàu province. Vo Thi Sau, the #heroine mentioned in the song, was #executed by the #French #colonialists at the foot of Chua mountain in the early morning of January 23, 1952. 60 years later, her immortal patriotism & sacrifice still shine in the heart of every Vietnamese person, particularly those who live on #ConDao island, once called “hell on the earth”. (Ref: VOVWorld)

The 20-hectare Hàng Dương cemetery holds the graves of more than 20,000 martyrs, including #revolutionary #martyr Lê Hồng Phong, patriot Nguyễn An Ninh & #hero Cao Văn Ngọc. Visitors are moved to see grave after grave, some named, some unnamed, stretching over the hill. Vo Thi Sau’s grave, set in gravel & soil shoveled by her fellow prisoners, lies in section B.

Sister Sau was already a legend when the ship carrying her docked at Con Dao island in 1952. At the execution, she refused to be blindfolded, wanting to admire the motherland’s landscape & sing until her last breath. Many families on Con Dao island have set up altars to worship sister Sau, whose legend has become eternal in Vietnamese hearts.

Nguyễn Văn Trỗi (1 February 1940 – 15 October 1964) was a #Vietnamese #revolutionary & member of the NLF (National Liberation Front). He gained notoriety after being captured by ARVN forces while trying to assassinate US Secretary of Defense Robert McNamara & Ambassador Henry Cabot Lodge Jr. who were visiting South Vietnam in May 1964.

Trỗi became the first publicly executed member of the NLF. His execution was filmed, and he remained defiant to the end. His last words before his execution in #Saigon :

"You are journalists and so you must be well informed about what is happening. It is the Americans who have committed aggression on our country, it is they who have been killing our people with planes and bombs ... I have never acted against the will of my people. It is against the Americans that I have taken action."

When a priest offered Trỗi absolution, he refused, saying: "I have committed no sin. It is the Americans who have sinned." As the first shots were fired, he called out: "Long live Vietnam!"

His wife wrote a biography book on his short but brave life. Phan Thi Quyen (c. 1965) Nguyen van troi tel qu'il etait (Nguyễn Văn Trỗi As He Was).

Võ Thị Sáu (1933 – 23 January 1952) was a #Vietnamese schoolgirl who fought as a #guerrilla against the #FrenchOccupiers of #Vietnam, then part of French #Indochina. She was captured, tried, convicted & executed by the French #colonialists in 1952. She was the first woman to be executed at Côn Sơn Prison.

Vo Thi Sau was no ordinary schoolgirl. She was just 14 when she tossed a grenade at a group of French soldiers, killing one & injuring 12 before escaping into a crowded market. A few years later, in 1952 aged just 19, she was executed by a French firing squad.

Minutes before her death, a priest asked if she wanted to confess & she simply replied: “I only regret not finishing destroying all the colonists and people who betrayed this nation.” She then demanded her captors take off her blindfold: “No need to cover my eyes, I want to look at this beloved country for the last time and I have the courage to look directly at your muzzle.” She refused to kneel & calmly sang “Tien Quan Ca,” the then national anthem of North Vietnam, before she was shot dead. Her last words were reportedly “Down with the French Colonialists, long-lasting independence Vietnam, long-live President Ho.” Bold & fearless, Sau has been seen as a #heroine & #martyr, beloved by her country ever since.

chaohanoi.com/2020/04/21/vietn

Lê Đức Thọ (14 October 1911 – 13 October 1990), was a #Vietnamese #revolutionary general, diplomat & politician. Tho was the first #Asian to be awarded the #NobelPeacePrize, jointly with US Secretary of State Henry Kissinger in 1973, for their work on Paris Peace Accords, but refused the award.
nobelprize.org/prizes/peace/19

"However, since the signing of the Paris agreement, the United States and the Saigon administration continue in grave violation of a number of key clauses of this agreement. The Saigon administration, aided and encouraged by the United States, continues its acts of war. Peace has not yet really been established in South Vietnam. In these circumstances it is impossible for me to accept the 1973 Nobel Prize for Peace which the committee has bestowed on me. Once the Paris accord on Vietnam is respected, the arms are silenced and a real peace is established in South Vietnam, I will be able to consider accepting this prize. With my thanks to the Nobel Prize Committee please accept, madame, my sincere respects."
web.archive.org/web/2011040316

"Unfortunately, the Nobel Peace Prize Committee put the aggressor and the victim of aggression on the same par. ... That was a blunder. The Nobel Peace Prize is one of the greatest prizes in the world. But the United States conducted a war of aggression against Vietnam. It is we, the Vietnamese people, who made peace by defeating the American war of aggression against us, by regaining our independence and freedom."
upi.com/Archives/1986/12/17/Pe

I have always loved taking portraits. It is, in my opinion, a subtle art. You have to be able to capture in a fraction of a second, that little spark that is in each of us.
I took this photograph of this old man, who was very shy, in Vietnam in a street market. It is a portrait that I like very much and I wanted to share it with you.

How I did this photo ? Canon 5D Mark IV 50 mm Sigma Art f1,4 1/3200e f1,4 Iso 100 Natural light.

J'ai toujours aimé faire des portraits. C'est, à mon sens, un art subtil. il faut réussir à capter en une fraction de seconde, cette petite étincelle qui se trouve en chacun de nous.
J'ai réalisé cette photographie de ce vieux monsieur, qui était très timide, au Vietnam. C'est un portrait que j'aime beaucoup et je souhaitais le partager avec vous.

#art #portrait #bw #blackandwhitephoto #vietnam #streephoto #studiointhestreet #travel #travelphotography #smile #peace #market #street #urbanphoto #photography #nature #38C3 #pixelfed #opensource #digitalart #filmphotography #urbannature #urbanphotographer #streetphotography #vietnamese #natural #portrait #man