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#overtone

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9 years ago at the @creativeCodeBLN Jam 4 people created this clip using #SuperCollider, #Overtone, #MaxMSP, #Processing

makertube.net/w/kB4gCpx3nuEyc9

I miss such collaborations. I've been thinking of hosting a monthly jam to do this again. In one day, people figure out how to use their preferred tools to collaborate and produce a short audiovisual collage. It could include anything that can be recorded: speaking, singing, drawing, coding, dancing...

Looking for live coders! —musicians and visualists— for a night of live code performances in an immersive projection environment.

Endemics Collective is hosting PLANET TKARONTO in Toronto, Canada on June 8, a satellite event for the International Conference on Live Coding 2024.
The call for performers with more info is at:
bit.ly/planet-tkaronto .

Live coding is inclusive and accessible to all. We are looking for performers who challenge conventional forms and techniques, disrupting traditional aesthetics and values, and who can engage with the audience directly in the art-or-music-making process, breaking down the barriers between artists and audiences. Performers from underrepresented groups or backgrounds are encouraged to apply.

#introduction

Hello everyone, I am Diego (aka videco)! I love making music with code and also with other instruments (#electricguitar, #drums, #lumatone).

Among the music projects where I participate, probably the most relevant for this server is Pirarán, a networked ensemble.

My favorite coding tool/language is #overtone (#clojure) for which I've developed libraries related to #microtonality and #polytemporality, as well as a port of #tidalcycles called #piratidal. I also like #tidalcycles #supercollider and #hydra.

Conceptually one of my primary motivators is exploring creativity as a natural phenomena. I do so by conceiving thought/imagination as an ecosystem where different ideas get to co-evolve, and so, I try to think of the projects I work on as part of a network of relations and the products, not as things in themselves, but as parts of a bigger whole. Consequently I place great emphasis on #collaboration as diversity is most important to maintain the dynamic equilibrium of ecosystems and to keep them healthy and lively. As part of all that #chaostheory, #systemstheory, #ecology and #anarchy are also things that interest me.

You can find more information on the music at echoic.space

The repositories live at github.com/diegovdc

Pirarán's music is here: piraran.bandcamp.com

echoic.spaceDiego Villaseñor | Echoic SpaceDiego Villaseñor: músico, compositor, programador, artista transdisciplinario. Música experimental, partituras, código y análisis

Finally got around to making an Overtone video, Overtone being a live music coding environment.

This is just the basic steps to install and get it to work, I'll show how to do actual cool stuff with in in future videos, but hopefully this already encourages some people to give it a try!

youtu.be/eUixwf64sHg?si=5hKktN (15 minutes)

Overtone 0.13 is out! Overtone is a live music coding environment based on Clojure and SuperCollider.

This release improves the experience on Linux by auto-connecting the audio outputs. It also adds hotplugging of MIDI devices, and a bunch of other improvements and fixes.

github.com/overtone/overtone/r

GitHubRelease v0.13.3177 · overtone/overtoneAdded New loop-buf UGen, for looping samples (part of sc3-plugins "extras") Watch for MIDI device plug/unplug, so that adding a device doesn't require a restart. These will also emit events: :midi...

We're working on a renewal project for #Overtone, the #Clojure live music coding environment.

If that sounds interesting then you are encouraged to join the mailing list

And to join the #overtone channel on Clojurians slack

First order of business is getting a new release out with the accumulated changes and fixes, and then we'll take it from there.

groups.google.comOvertone - Google Groups