Ex-Nebraska farmer now a stump farmer. Bonner County, Idaho. FSA (Farm Security Administration) borrower. See general caption 50
#BonnerCounty #Idaho #DorotheaLanges #America #theGreatDepression #Lange #American #undefined #photography #DorotheaLange
![The image is a black and white photograph featuring an elderly man who appears to be sitting on a structure, possibly a bench or fence. He wears a wide-brimmed hat that casts shadows over his eyes and forehead, suggesting it's a sunny day. His attire consists of a dark jacket with visible pockets and flaps, along with what looks like workoveralls underneath, which are loose-fitting trousers typically worn by manual laborers for protection during farmwork or other rugged activities.
His hands hold onto some kind of tool or implement; the object is not entirely clear but appears to be made of metal. The man has a weathered complexion and prominent lines on his face that suggest wisdom gained from years of experience, possibly related to farming given his appearance. His expression is contemplative yet gentle, with one hand resting in his lap.
The background is relatively nondescript, featuring an open sky which might indicate he's outdoors, likely on agricultural land or a farm setting. The absence of other people or objects makes the subject stand out as the focal point of this photograph. There are no discernible colors since it’s a black and white image; tones range from light to dark gray.
The photo bears an inscription at the bottom right corner which reads "12," potentially indicating its sequence in a larger collection, perhaps a series documenting different subjects or aspects related to rural life during that t [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/307/860/629/259/083/original/fe4e497958f2796d.jpeg "The image is a black and white photograph featuring an elderly man who appears to be sitting on a structure, possibly a bench or fence. He wears a wide-brimmed hat that casts shadows over his eyes and forehead, suggesting it's a sunny day. His attire consists of a dark jacket with visible pockets and flaps, along with what looks like workoveralls underneath, which are loose-fitting trousers typically worn by manual laborers for protection during farmwork or other rugged activities.
His hands hold onto some kind of tool or implement; the object is not entirely clear but appears to be made of metal. The man has a weathered complexion and prominent lines on his face that suggest wisdom gained from years of experience, possibly related to farming given his appearance. His expression is contemplative yet gentle, with one hand resting in his lap.
The background is relatively nondescript, featuring an open sky which might indicate he's outdoors, likely on agricultural land or a farm setting. The absence of other people or objects makes the subject stand out as the focal point of this photograph. There are no discernible colors since it’s a black and white image; tones range from light to dark gray.
The photo bears an inscription at the bottom right corner which reads \"12,\" potentially indicating its sequence in a larger collection, perhaps a series documenting different subjects or aspects related to rural life during that t [...]")
Entering Farm Security Administration (FSA) camp for migratory laborers at Indio. Coachella Valley, California
#Indio #CoachellaValley #California #DorotheaLange #CoachellaValleys #Lange #undefined #photography #DorotheaLange
Farm Security Administration - Office of War Information photograph collection (Library of Congress)
![The image is a black and white photo, likely taken in the mid-1900s given its style. It shows an older woman with contemplative expression on her face as she rests her chin upon one hand. She appears to be sitting close to another person who's partly visible behind her. The setting seems casual or domestic, suggested by what looks like a checkered shirt the partially seen individual is wearing and perhaps household items in the background.
The photograph belongs to the Farm Security Administration - Office of War Information (FSA-OWI) Photograph Collection held at the Library of Congress. This collection often depicted everyday life during times such as wars or depressions, aiming for an authentic portrayal rather than romanticized one. It's a significant part of American social history photography and is known for its journalistic approach to capturing human conditions and environments.
Unfortunately, without more context about this particular image in the FSA-OWI collection, it would be difficult to ascertain who she might have been or what events may have led up to that moment captured by Dorothea Lange. Lange was a renowned photographer whose work often highlighted social issues like poverty and unemployment during the Great Depression.
Note: It's important to use accurate information when describing images, especially historical ones where context can greatly affect interpretation. As an AI developed by OpenAI, I [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/291/581/215/454/668/original/3abdb1f2c2906641.jpeg "The image is a black and white photo, likely taken in the mid-1900s given its style. It shows an older woman with contemplative expression on her face as she rests her chin upon one hand. She appears to be sitting close to another person who's partly visible behind her. The setting seems casual or domestic, suggested by what looks like a checkered shirt the partially seen individual is wearing and perhaps household items in the background.
The photograph belongs to the Farm Security Administration - Office of War Information (FSA-OWI) Photograph Collection held at the Library of Congress. This collection often depicted everyday life during times such as wars or depressions, aiming for an authentic portrayal rather than romanticized one. It's a significant part of American social history photography and is known for its journalistic approach to capturing human conditions and environments.
Unfortunately, without more context about this particular image in the FSA-OWI collection, it would be difficult to ascertain who she might have been or what events may have led up to that moment captured by Dorothea Lange. Lange was a renowned photographer whose work often highlighted social issues like poverty and unemployment during the Great Depression.
Note: It's important to use accurate information when describing images, especially historical ones where context can greatly affect interpretation. As an AI developed by OpenAI, I [...]")
Looking from the camp to adjoining tract where the Farm Security Administration (FSA) has just completed forty homes to be occupied by low income workers. These homes represent a first step in stabilization of this group
![The image is a black and white photograph depicting a scene from the early 1930s. It shows an unpaved, dirt road with several vintage automobiles parked along it in what appears to be a makeshift settlement or campsite. In the foreground, there's a young child walking towards one of these old cars that seems to have broken down, as evidenced by its raised rear wheel and extended brake lever.
On either side of the street are simple structures such as trailers and small buildings with rudimentary construction indicating an ad-hoc arrangement rather than permanent housing. In the background, there is a white tent or temporary structure, suggesting some form of organized activity may be taking place in this area. The sky above shows partially cloudy weather.
The photograph has been marked at its bottom right corner as "Photo #10," with additional information indicating it was taken on November 23rd, and bears the stamp "FSA" which stands for Farm Security Administration, a New Deal agency established during President Franklin D. Roosevelt's administration in response to widespread rural poverty.
The caption attached to this image provides context about its historical setting: It appears as if the photographer captured this moment from what might have been part of an FSA project aimed at improving living conditions and providing housing for low-income workers or families affected by the Great Depression, a common theme wit [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/290/535/371/801/328/original/3f56e32e06a3cb7a.jpeg "The image is a black and white photograph depicting a scene from the early 1930s. It shows an unpaved, dirt road with several vintage automobiles parked along it in what appears to be a makeshift settlement or campsite. In the foreground, there's a young child walking towards one of these old cars that seems to have broken down, as evidenced by its raised rear wheel and extended brake lever.
On either side of the street are simple structures such as trailers and small buildings with rudimentary construction indicating an ad-hoc arrangement rather than permanent housing. In the background, there is a white tent or temporary structure, suggesting some form of organized activity may be taking place in this area. The sky above shows partially cloudy weather.
The photograph has been marked at its bottom right corner as \"Photo #10,\" with additional information indicating it was taken on November 23rd, and bears the stamp \"FSA\" which stands for Farm Security Administration, a New Deal agency established during President Franklin D. Roosevelt's administration in response to widespread rural poverty.
The caption attached to this image provides context about its historical setting: It appears as if the photographer captured this moment from what might have been part of an FSA project aimed at improving living conditions and providing housing for low-income workers or families affected by the Great Depression, a common theme wit [...]")
Migrant agricultural workers' home. California
#California #Cyanogas #theDustBowl #DorotheaLange’s #Lange #America #undefined #photography #DorotheaLange
![The black and white photograph depicts a rural, outdoor scene with an old truck prominently featuring advertising for "Cyanogas" as the main subject. The text on the truck claims it's 'The Real Hopper Control.' Several individuals are seen around this vehicle; one appears to be seated inside while others stand outside in what seems like makeshift shelters made from various materials, including tarps and fabric. One person is dressed in a long-sleeve dress with their hair pulled back loosely, suggesting casual or work attire suitable for manual labor.
The environment suggests an arid landscape, perhaps indicative of agricultural regions common during the Dust Bowl era. Dogs are present around the area, which adds to the sense of rural domestic life and self-reliance in a harsh setting. The grass is sparse, with patches where it's been trampled or worn down by activity.
In terms of context, this image likely captures a moment from Dorothea Lange’s documentation on migrant agricultural workers during difficult economic times. It reflects the hardships faced by these communities and their resourcefulness in creating living conditions amidst challenging circumstances. The photograph embodies social realism through its portrayal of everyday life under struggle while highlighting themes such as resilience, poverty, and community within adversity.
The overall composition is candid and unposed, a testament to Lange’s approach [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/258/500/005/698/391/original/a916f0b44a0d4b2b.jpeg "The black and white photograph depicts a rural, outdoor scene with an old truck prominently featuring advertising for \"Cyanogas\" as the main subject. The text on the truck claims it's 'The Real Hopper Control.' Several individuals are seen around this vehicle; one appears to be seated inside while others stand outside in what seems like makeshift shelters made from various materials, including tarps and fabric. One person is dressed in a long-sleeve dress with their hair pulled back loosely, suggesting casual or work attire suitable for manual labor.
The environment suggests an arid landscape, perhaps indicative of agricultural regions common during the Dust Bowl era. Dogs are present around the area, which adds to the sense of rural domestic life and self-reliance in a harsh setting. The grass is sparse, with patches where it's been trampled or worn down by activity.
In terms of context, this image likely captures a moment from Dorothea Lange’s documentation on migrant agricultural workers during difficult economic times. It reflects the hardships faced by these communities and their resourcefulness in creating living conditions amidst challenging circumstances. The photograph embodies social realism through its portrayal of everyday life under struggle while highlighting themes such as resilience, poverty, and community within adversity.
The overall composition is candid and unposed, a testament to Lange’s approach [...]")
Migrant agricultural worker's family. Seven hungry children. Mother aged thirty-two. Father is a native Californian. Destitute in pea picker's camp, Nipomo, California, because of the failure of the early pea crop. These people had just sold their tent in order to buy food. Of the twenty-five hundred people in this camp most of them were destitute
#Californian #Nipomo #California #theGreatDepression #America #DorotheaLange’s #Lange #undefined #photography #DorotheaLange
At the Self Help Association, dairy farm unit, California
![The alt text for this image could be: "Dorothea Lange's photograph of an elderly man in a hat and coat, taken at the Self Help Association dairy farm unit near Stockton, California between 1943-48." This caption provides information about Dorothea Lange, known as a pioneering photographer whose work documented life during the Great Depression. She is particularly famous for her series of photographs that captured American workers and their families in search of employment.
The man appears to be middle-aged or older with lines on his face indicating age, possibly reflecting hardship or weathering from outdoor labor. His attire suggests practicality - a hat protecting against sun exposure and heavy coat suited for colder conditions. The monochromatic tones emphasize the seriousness of the subject's expression while also highlighting the historical context in which Lange captured this moment.
The handwritten text on the bottom right corner indicates "2390," likely a reference number or code used by Dorothea Lange to catalog her photographs, and additional annotations provide insight into the photograph’s origin. This image is an example of documentary photography that seeks to portray reality through photographic means during times of social upheaval.
For further information on this specific photo's context within Lange's body of work and its historical significance in American history, please refer to external sources s [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/237/451/107/105/237/original/092e837b971d0c4c.jpeg "The alt text for this image could be: \"Dorothea Lange's photograph of an elderly man in a hat and coat, taken at the Self Help Association dairy farm unit near Stockton, California between 1943-48.\" This caption provides information about Dorothea Lange, known as a pioneering photographer whose work documented life during the Great Depression. She is particularly famous for her series of photographs that captured American workers and their families in search of employment.
The man appears to be middle-aged or older with lines on his face indicating age, possibly reflecting hardship or weathering from outdoor labor. His attire suggests practicality - a hat protecting against sun exposure and heavy coat suited for colder conditions. The monochromatic tones emphasize the seriousness of the subject's expression while also highlighting the historical context in which Lange captured this moment.
The handwritten text on the bottom right corner indicates \"2390,\" likely a reference number or code used by Dorothea Lange to catalog her photographs, and additional annotations provide insight into the photograph’s origin. This image is an example of documentary photography that seeks to portray reality through photographic means during times of social upheaval.
For further information on this specific photo's context within Lange's body of work and its historical significance in American history, please refer to external sources s [...]")
Waiting for the semi-monthly relief checks at Calipatria, California
![The image depicts a group of men standing in line against the exterior wall of what appears to be an official or institutional building. They are dressed primarily in suits and hats, suggesting that this photo may have been taken during a time when such attire was common for working-class individuals or as part of cultural norms at the start of the 20th century. The men's expressions convey anticipation and patience, possibly waiting to collect their semi-monthly relief checks which indicates they are likely recipients of some form of government aid.
The photograph is in black and white with a monochromatic tone that emphasizes textures such as worn clothing, rough concrete walls, and the stark contrast between light and shadow on the men's figures. This adds to the historical atmosphere of the image. The title "Waiting for the semi-monthly relief checks at Calipatria, California" suggests this photo was taken during a time when unemployment benefits were administered through direct payments or checks, possibly linked to economic difficulties.
Dorothea Lange (1895–1965) is known as an influential photographer who documented significant historical events in the United States. Her works are often associated with capturing moments of social and political relevance during times like The Great Depression. This photograph serves not only as a visual record but also as commentary on economic hardship, societal resilience, and [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/235/563/690/622/782/original/53de9bfc147dc6bb.jpeg "The image depicts a group of men standing in line against the exterior wall of what appears to be an official or institutional building. They are dressed primarily in suits and hats, suggesting that this photo may have been taken during a time when such attire was common for working-class individuals or as part of cultural norms at the start of the 20th century. The men's expressions convey anticipation and patience, possibly waiting to collect their semi-monthly relief checks which indicates they are likely recipients of some form of government aid.
The photograph is in black and white with a monochromatic tone that emphasizes textures such as worn clothing, rough concrete walls, and the stark contrast between light and shadow on the men's figures. This adds to the historical atmosphere of the image. The title \"Waiting for the semi-monthly relief checks at Calipatria, California\" suggests this photo was taken during a time when unemployment benefits were administered through direct payments or checks, possibly linked to economic difficulties.
Dorothea Lange (1895–1965) is known as an influential photographer who documented significant historical events in the United States. Her works are often associated with capturing moments of social and political relevance during times like The Great Depression. This photograph serves not only as a visual record but also as commentary on economic hardship, societal resilience, and [...]")
Truck driver's family. Imperial Valley, California
![The alt text for this image is "A black and white photograph showing a woman sitting on the floor, with her young child next to her. The adult has dark hair pulled back into two braids that extend down her shoulders. She wears a sleeveless dress patterned in red checkered fabric with white trim at the edges of each square."
The additional information about this image can be found by visiting Truck driver's family, Imperial Valley, California (https://images.loener.nl/DorotheaLange/full/6483/64833186ba25398d907dff9e.jpg). This photo appears to capture a candid moment of familial life in the mid-20th century. It was taken by Dorothea Lange, known for her work documenting social issues and working-class Americans during that era.
This photograph seems to be part of an archive or collection showcasing Lange's work on various aspects of American society at different times throughout history. The setting appears humble with simple furniture visible in the background, suggesting a modest lifestyle. Dorothea Lange was influential as she documented her subjects' stories and conditions through visual storytelling which brought attention to issues such as poverty, racism, rural living, migratory laborers like truck drivers (implying hardship faced by families), during the Great Depression era of 1930s USA.
The image is significant because it provides a glimpse into daily life for working-class individuals in America and also serves [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/213/622/289/371/138/original/1a419118f0755af5.jpeg "The alt text for this image is \"A black and white photograph showing a woman sitting on the floor, with her young child next to her. The adult has dark hair pulled back into two braids that extend down her shoulders. She wears a sleeveless dress patterned in red checkered fabric with white trim at the edges of each square.\"
The additional information about this image can be found by visiting Truck driver's family, Imperial Valley, California (https://images.loener.nl/DorotheaLange/full/6483/64833186ba25398d907dff9e.jpg). This photo appears to capture a candid moment of familial life in the mid-20th century. It was taken by Dorothea Lange, known for her work documenting social issues and working-class Americans during that era.
This photograph seems to be part of an archive or collection showcasing Lange's work on various aspects of American society at different times throughout history. The setting appears humble with simple furniture visible in the background, suggesting a modest lifestyle. Dorothea Lange was influential as she documented her subjects' stories and conditions through visual storytelling which brought attention to issues such as poverty, racism, rural living, migratory laborers like truck drivers (implying hardship faced by families), during the Great Depression era of 1930s USA.
The image is significant because it provides a glimpse into daily life for working-class individuals in America and also serves [...]")
Rural rehabilitation, Tulare County, California. Productive dairy farm replaces unsuccessful fruit orchard. Family had been on relief. They were reestablished by a plan of farm operation...
![The image depicts an aerial view of a rural landscape, likely from the early 1900s. In this scene, we see a large open field divided by rows that suggest recent agricultural activity, possibly crop planting or harvesting. A small wooden fence demarcates part of the land and contains several cows grazing peacefully within it.
In one corner stands an old barn-like structure with its roof visible above ground level; nearby are some utility poles standing tall against the horizon line in the distance. This suggests a mix of residential life amidst productive farmland, common during that period for families who owned or worked on their farms as well as lived there.
There's another wooden fence and gate partially obstructing our view from further into this field which adds to its rustic charm. The terrain appears dry with sparse vegetation except in the fenced-off area where animals reside suggesting these are managed pastures specifically intended for livestock grazing.
This image was taken by Dorothea Lange, a renowned American photographer known for her powerful photography during the Great Depression and World War II documenting social issues such as poverty and immigration. Her work often focused on rural rehabilitation efforts like this one in Tulare County California where family farms were struggling yet managed to persevere through innovative farming practices.
The date indicated at the bottom of the photo is "193 [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/192/388/680/893/913/original/c1d12fa754d0b59c.jpeg "The image depicts an aerial view of a rural landscape, likely from the early 1900s. In this scene, we see a large open field divided by rows that suggest recent agricultural activity, possibly crop planting or harvesting. A small wooden fence demarcates part of the land and contains several cows grazing peacefully within it.
In one corner stands an old barn-like structure with its roof visible above ground level; nearby are some utility poles standing tall against the horizon line in the distance. This suggests a mix of residential life amidst productive farmland, common during that period for families who owned or worked on their farms as well as lived there.
There's another wooden fence and gate partially obstructing our view from further into this field which adds to its rustic charm. The terrain appears dry with sparse vegetation except in the fenced-off area where animals reside suggesting these are managed pastures specifically intended for livestock grazing.
This image was taken by Dorothea Lange, a renowned American photographer known for her powerful photography during the Great Depression and World War II documenting social issues such as poverty and immigration. Her work often focused on rural rehabilitation efforts like this one in Tulare County California where family farms were struggling yet managed to persevere through innovative farming practices.
The date indicated at the bottom of the photo is \"193 [...]")
Near Santa Maria, California. Large-scale pea fields. These peas must be handpicked by gangs of laborers for fresh table use. Frozen food process is not used in marketing California peas, although it may be introduced
Unemployed men on Howard Street. San Francisco, California
#HowardStreet #SanFrancisco #California #DorotheaLange’s #American #America #Lange #theGreatDepression #undefined #photography #DorotheaLange
![The image is a black and white photograph depicting four men standing in front of what appears to be an entrance, possibly a business or establishment. The setting suggests it could be from the early 20th century given their attire - coats, hats, and suits indicative of that era's fashion.
Two of the men are engaged with something one is holding between them; perhaps examining papers or tickets together. They seem to be in conversation as they lean slightly towards each other, indicating a shared focus on what they're looking at.
The two other figures stand by passively - not interacting but observing their surroundings or possibly waiting for someone's arrival. Their postures suggest anticipation or patience rather than active engagement with the environment around them.
In terms of location and context, this photo seems to be part of Dorothea Lange’s work on unemployment during a period when such issues were prevalent in American society—likely reflecting conditions seen widely across urban America at that time due to economic hardship. The mention 'Unemployed men on Howard Street.' suggests these individuals are among those affected by the economic downturn.
The photograph's framing is tight, focusing heavily on the subjects and their immediate environment with no other significant background elements visible beyond what they're standing in front of—a sign which reads "Pearly" suggesting a business name. This coul [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/160/876/284/244/082/original/bd7e9f5e17d97416.jpeg "The image is a black and white photograph depicting four men standing in front of what appears to be an entrance, possibly a business or establishment. The setting suggests it could be from the early 20th century given their attire - coats, hats, and suits indicative of that era's fashion.
Two of the men are engaged with something one is holding between them; perhaps examining papers or tickets together. They seem to be in conversation as they lean slightly towards each other, indicating a shared focus on what they're looking at.
The two other figures stand by passively - not interacting but observing their surroundings or possibly waiting for someone's arrival. Their postures suggest anticipation or patience rather than active engagement with the environment around them.
In terms of location and context, this photo seems to be part of Dorothea Lange’s work on unemployment during a period when such issues were prevalent in American society—likely reflecting conditions seen widely across urban America at that time due to economic hardship. The mention 'Unemployed men on Howard Street.' suggests these individuals are among those affected by the economic downturn.
The photograph's framing is tight, focusing heavily on the subjects and their immediate environment with no other significant background elements visible beyond what they're standing in front of—a sign which reads \"Pearly\" suggesting a business name. This coul [...]")
"Social Justice," founded by Father Coughlin, sold on important street corners and intersections. New York City
#SocialJustice #Coughlin #NewYorkCity #WorldWarII #DorotheaLange’s #Lange #undefined #photography #DorotheaLange
![The image is a black-and-white photograph depicting an individual, likely from the early to mid-20th century judging by the clothing and vehicles. The person stands on what appears to be a busy street corner with multiple automobiles around them, indicative of urban life during that time period.
They are dressed in light-colored business attire with distinct pockets on their suit jacket. In both hands, they hold newspapers: one prominently displayed at chest level while holding it aloft above the other which is held down near waist height and partially obscured by their body.
The newspaper being held up bears a headline about "Social Justice" and references to significant events or figures such as "Versailles Anniversary," suggesting themes of political journalism. The date visible in the photo indicates March 18, 1941.
In the background are several multi-story buildings with numerous windows, typical urban architecture from that era. A vintage car is parked on the street beside them and another automobile appears to be passing by in motion. The overall scene portrays a moment of journalistic activity amidst daily city life during World War II or its aftermath.
The photograph's historical context might connect it to Dorothea Lange’s work, as mentioned in your additional information source. Lange was known for her impactful social documentary photography capturing the human side of significant national events and soci [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/151/285/774/214/673/original/ce0e812969106b5a.jpeg "The image is a black-and-white photograph depicting an individual, likely from the early to mid-20th century judging by the clothing and vehicles. The person stands on what appears to be a busy street corner with multiple automobiles around them, indicative of urban life during that time period.
They are dressed in light-colored business attire with distinct pockets on their suit jacket. In both hands, they hold newspapers: one prominently displayed at chest level while holding it aloft above the other which is held down near waist height and partially obscured by their body.
The newspaper being held up bears a headline about \"Social Justice\" and references to significant events or figures such as \"Versailles Anniversary,\" suggesting themes of political journalism. The date visible in the photo indicates March 18, 1941.
In the background are several multi-story buildings with numerous windows, typical urban architecture from that era. A vintage car is parked on the street beside them and another automobile appears to be passing by in motion. The overall scene portrays a moment of journalistic activity amidst daily city life during World War II or its aftermath.
The photograph's historical context might connect it to Dorothea Lange’s work, as mentioned in your additional information source. Lange was known for her impactful social documentary photography capturing the human side of significant national events and soci [...]")
Street meeting at night in Mexican town outside of Shafter, California. Organizer for United Cannery Agricultural Packing and Allied Workers of America (Congress of Industrial Organizations-CIO) talks to mixed crowd. The strike failed
#Mexican #Shafter #California #DorotheaLange #American #theGreatDepression #GroupofSeven #Lange #undefined #photography #DorotheaLange
![A black and white photograph depicts a man in formal attire addressing an attentive crowd at night. The setting appears to be outdoors, with streetlights illuminating the scene behind him.
The central figure is likely Dorothea Lange (1895-1965), a renowned American photographer known for her work during the Great Depression and as part of the Group of Seven. She captured images related to social issues like poverty, labor unrest, rural dislocation, migration, class conflict, droughts and flooding.
The crowd consists predominantly of men wearing hats and suits typical of that era, with some women visible in the background. The expression on their faces varies from engaged or contemplative to weary or concerned; however, no overt signs of distress are apparent amongst this group.
It's a historical snapshot representing a moment during labor movement within the 20th-century context where strikes were common as workers sought better working conditions and fair wages. Lange’s work often captured moments that conveyed human suffering yet also bore witness to hope or dignity amid dire circumstances - an approach fitting for documenting these events objectively, without judgment.
The photograph is labeled with a handwritten text "D.H.L. MEXICAN TOWN SHAFER CALIFORNIA," indicating the location as Shafter in California and references Mexican town context during that period likely connected to agricultural laborers given Lange' [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/144/074/212/077/329/original/f2a51b39d85f834b.jpeg "A black and white photograph depicts a man in formal attire addressing an attentive crowd at night. The setting appears to be outdoors, with streetlights illuminating the scene behind him.
The central figure is likely Dorothea Lange (1895-1965), a renowned American photographer known for her work during the Great Depression and as part of the Group of Seven. She captured images related to social issues like poverty, labor unrest, rural dislocation, migration, class conflict, droughts and flooding.
The crowd consists predominantly of men wearing hats and suits typical of that era, with some women visible in the background. The expression on their faces varies from engaged or contemplative to weary or concerned; however, no overt signs of distress are apparent amongst this group.
It's a historical snapshot representing a moment during labor movement within the 20th-century context where strikes were common as workers sought better working conditions and fair wages. Lange’s work often captured moments that conveyed human suffering yet also bore witness to hope or dignity amid dire circumstances - an approach fitting for documenting these events objectively, without judgment.
The photograph is labeled with a handwritten text \"D.H.L. MEXICAN TOWN SHAFER CALIFORNIA,\" indicating the location as Shafter in California and references Mexican town context during that period likely connected to agricultural laborers given Lange' [...]")
Cotton picker. San Joaquin Valley, California
#Cotton #SanJoaquinValley #California #DorotheaLanges #Americans #JRPP-49 #Lange #America #undefined #photography #DorotheaLange
Cotton picker. Southern San Joaquin Valley, California
#Cotton #California #DorotheaLanges #America #Japanese #English #Lange #theGreatDepression #undefined #photography #DorotheaLange
![The image is a black and white photograph capturing the essence of agricultural labor. It depicts an individual, likely female based on appearance, engaged in picking cotton from a field under bright sunlight. The person wears casual work attire suitable for manual labor: loose-fitting pants tucked into sturdy boots and a long-sleeve blouse that's pulled up at the wrists to prevent direct sun exposure.
The worker is bent over one of the plants, using both hands to gather or pick something—potentially cotton bolls given context. The field extends into the background with rows upon rows filled with dry, leafless plants—a stark contrast to the living ones in immediate proximity. This scene suggests late harvest time when most leaves have fallen off.
The photograph is credited as a part of "Cotton picker," showcasing agricultural labor within Southern San Joaquin Valley, California. Dorothea Lange's signature and date are visible on this image which indicates its historical importance as it likely serves to document the working conditions during that era in America's history when such fieldwork was prevalent for many communities.
There is Japanese text written vertically along one side of the photograph with English translations: "Cotton picker - A woman picking cotton," followed by a date or signature, possibly related to Lange. The quality and monochromatic nature suggest it might be an older piece from her famous photo [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/099/719/392/723/694/original/7ce447a58700d37b.jpeg "The image is a black and white photograph capturing the essence of agricultural labor. It depicts an individual, likely female based on appearance, engaged in picking cotton from a field under bright sunlight. The person wears casual work attire suitable for manual labor: loose-fitting pants tucked into sturdy boots and a long-sleeve blouse that's pulled up at the wrists to prevent direct sun exposure.
The worker is bent over one of the plants, using both hands to gather or pick something—potentially cotton bolls given context. The field extends into the background with rows upon rows filled with dry, leafless plants—a stark contrast to the living ones in immediate proximity. This scene suggests late harvest time when most leaves have fallen off.
The photograph is credited as a part of \"Cotton picker,\" showcasing agricultural labor within Southern San Joaquin Valley, California. Dorothea Lange's signature and date are visible on this image which indicates its historical importance as it likely serves to document the working conditions during that era in America's history when such fieldwork was prevalent for many communities.
There is Japanese text written vertically along one side of the photograph with English translations: \"Cotton picker - A woman picking cotton,\" followed by a date or signature, possibly related to Lange. The quality and monochromatic nature suggest it might be an older piece from her famous photo [...]")
![The alt text for the provided black and white photograph shows a large flock of sheep grazing on an open field. The scene is captured in grayscale, emphasizing contrasts between light and shadow rather than colors.
In this image, we see numerous groups of sheep scattered across various levels of gently sloping terrain. They are distributed from the foreground to the background, creating depth within the composition. Some sheep appear closer together as if following a path or being herded down the slope by an unseen shepherd, while others are spread out more randomly.
The field is composed mostly of dry grass with occasional tufts and patches where it seems less trodden upon by the herd. The absence of any visible fencing suggests that this may be a semi-wild flock allowed to graze freely in open pastures rather than on enclosed lands managed for sheep farming.
In the background, there's an expansive view extending into undulating hills or low mountains, suggesting a rural and possibly arid landscape where such grazing is common. The absence of any visible buildings or human figures suggests that this image was taken during non-working hours when shepherds are typically not present with their flocks. Overall, the photograph conveys a sense of calmness and tranquility associated with pastoral life.
The top right corner displays text "C.O.TOP 47," which could be an identifier for the specific flock or photo collection i [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/249/196/905/199/011/original/ab50acdd27260656.jpeg "The alt text for the provided black and white photograph shows a large flock of sheep grazing on an open field. The scene is captured in grayscale, emphasizing contrasts between light and shadow rather than colors.
In this image, we see numerous groups of sheep scattered across various levels of gently sloping terrain. They are distributed from the foreground to the background, creating depth within the composition. Some sheep appear closer together as if following a path or being herded down the slope by an unseen shepherd, while others are spread out more randomly.
The field is composed mostly of dry grass with occasional tufts and patches where it seems less trodden upon by the herd. The absence of any visible fencing suggests that this may be a semi-wild flock allowed to graze freely in open pastures rather than on enclosed lands managed for sheep farming.
In the background, there's an expansive view extending into undulating hills or low mountains, suggesting a rural and possibly arid landscape where such grazing is common. The absence of any visible buildings or human figures suggests that this image was taken during non-working hours when shepherds are typically not present with their flocks. Overall, the photograph conveys a sense of calmness and tranquility associated with pastoral life.
The top right corner displays text \"C.O.TOP 47,\" which could be an identifier for the specific flock or photo collection i [...]")
![The image depicts a black and white photograph of an old, two-story house nestled among trees with lush foliage. The architecture suggests it may be from the early to mid-19th century or possibly earlier. There's no visible activity around the property which contributes to its tranquil appearance. In front of the home is what appears to be a well-maintained garden filled with an array of flowering shrubs, likely indicative of springtime when such blooms are most vivid.
The sky above shows some cloud coverage but overall it seems like a bright day as indicated by the shadows cast on and around the house. The lack of any modern elements or cars suggests this photograph might be from several decades ago. There's nothing that indicates current occupancy, hinting at abandonment or a deliberate choice to maintain its rustic charm.
Given the source information provided (14A. Home Place), it is plausible that this image was taken as part of an ongoing documentation project focused on various homes and their settings during mid-20th century America. The photographer Dorothea Lange, known for her work in social documentary photography especially during times of great upheaval such as the Great Depression, further adds context to why these particular structures might have been subjects of interest.
The reference number indicates that this photograph is part of a larger collection or series and it could be used to identify specif [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/219/233/419/809/642/original/b514fd5014660166.jpeg "The image depicts a black and white photograph of an old, two-story house nestled among trees with lush foliage. The architecture suggests it may be from the early to mid-19th century or possibly earlier. There's no visible activity around the property which contributes to its tranquil appearance. In front of the home is what appears to be a well-maintained garden filled with an array of flowering shrubs, likely indicative of springtime when such blooms are most vivid.
The sky above shows some cloud coverage but overall it seems like a bright day as indicated by the shadows cast on and around the house. The lack of any modern elements or cars suggests this photograph might be from several decades ago. There's nothing that indicates current occupancy, hinting at abandonment or a deliberate choice to maintain its rustic charm.
Given the source information provided (14A. Home Place), it is plausible that this image was taken as part of an ongoing documentation project focused on various homes and their settings during mid-20th century America. The photographer Dorothea Lange, known for her work in social documentary photography especially during times of great upheaval such as the Great Depression, further adds context to why these particular structures might have been subjects of interest.
The reference number indicates that this photograph is part of a larger collection or series and it could be used to identify specif [...]")
![The black and white photograph depicts a makeshift migrant's camp during the early 20th century in California. The setting is outdoors, with several tents pitched on an unpaved surface that appears to be soil or sand. There are three visible structures: one large covered wagon-like structure and two smaller canvas tents.
Nearby objects include a wooden stool, a bucket, some tools leaning against the larger tent, and what seems like a pile of wood for fuel. The environment looks rural with sparse vegetation in the background under an overcast sky.
Inside or near these tents are individuals who seem to be engaged in various activities such as sitting on the ground, possibly resting or conversing. Their attire suggests that they might not have many belongings and could be living through difficult times.
The photograph is labeled "Migrants' Camp California" with a date of 1906-5 at the bottom right corner, indicating its historical context. It appears to be part of Dorothea Lange's work documenting migrant laborers in America during that era. The photo carries an emotional weight reflecting on the hardships faced by these individuals and possibly their transient lifestyle away from established homes or communities.
This image is a valuable piece for understanding American history, particularly regarding migration patterns, economic conditions affecting certain demographics at specific times in US history, rural living co [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/217/633/040/481/783/original/58ce0b6a5bec5fe1.jpeg "The black and white photograph depicts a makeshift migrant's camp during the early 20th century in California. The setting is outdoors, with several tents pitched on an unpaved surface that appears to be soil or sand. There are three visible structures: one large covered wagon-like structure and two smaller canvas tents.
Nearby objects include a wooden stool, a bucket, some tools leaning against the larger tent, and what seems like a pile of wood for fuel. The environment looks rural with sparse vegetation in the background under an overcast sky.
Inside or near these tents are individuals who seem to be engaged in various activities such as sitting on the ground, possibly resting or conversing. Their attire suggests that they might not have many belongings and could be living through difficult times.
The photograph is labeled \"Migrants' Camp California\" with a date of 1906-5 at the bottom right corner, indicating its historical context. It appears to be part of Dorothea Lange's work documenting migrant laborers in America during that era. The photo carries an emotional weight reflecting on the hardships faced by these individuals and possibly their transient lifestyle away from established homes or communities.
This image is a valuable piece for understanding American history, particularly regarding migration patterns, economic conditions affecting certain demographics at specific times in US history, rural living co [...]")
![The black and white photograph depicts a rural scene with a focus on an old wooden structure, possibly a farmhouse or workshop. In front of the building stands a figure, likely a woman given their attire, dressed in period-appropriate clothing that includes a long skirt and blouse, indicative of early to mid-20th century fashion. The setting appears desolate, with barren land stretching out into the horizon under an overcast sky.
In addition to the main structure, there's another smaller building or shed beside it, connected by what looks like makeshift barriers made from wooden posts and wires, possibly serving as a partition or boundary marker. A puddle of water reflects part of the scene in front of this barrier.
The ground is uneven with patches where vegetation has sprouted through, suggesting arid conditions typical of rural settings during that era. On either side of the foreground are remnants of fencing, hinting at attempts to contain land for agricultural purposes or livestock management.
This photograph seems historically significant and could have been taken as part of a documentary project capturing life in migratory camps across California around 1935-6, based on the handwritten notes found within the image. It evokes an atmosphere of hardship and resilience amidst challenging times such as the Great Depression when many people moved for work during those years.
The presence of Dorothea Lange's name sugge [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/200/123/370/818/317/original/e4fdf9c4c7c0c98d.jpeg "The black and white photograph depicts a rural scene with a focus on an old wooden structure, possibly a farmhouse or workshop. In front of the building stands a figure, likely a woman given their attire, dressed in period-appropriate clothing that includes a long skirt and blouse, indicative of early to mid-20th century fashion. The setting appears desolate, with barren land stretching out into the horizon under an overcast sky.
In addition to the main structure, there's another smaller building or shed beside it, connected by what looks like makeshift barriers made from wooden posts and wires, possibly serving as a partition or boundary marker. A puddle of water reflects part of the scene in front of this barrier.
The ground is uneven with patches where vegetation has sprouted through, suggesting arid conditions typical of rural settings during that era. On either side of the foreground are remnants of fencing, hinting at attempts to contain land for agricultural purposes or livestock management.
This photograph seems historically significant and could have been taken as part of a documentary project capturing life in migratory camps across California around 1935-6, based on the handwritten notes found within the image. It evokes an atmosphere of hardship and resilience amidst challenging times such as the Great Depression when many people moved for work during those years.
The presence of Dorothea Lange's name sugge [...]")