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#DigitalArtHistory

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Harald Klinke<p>PhD Scholarship in Digital Art History at the University of St Andrews. Fully funded for 3 years, open to Home/EU and international students. Research areas include AI, digital-born art, 3D modeling, and more. <br>Apply by April 21, 2025. Details: <a href="https://www.st-andrews.ac.uk/art-history/prospective/pgr/funding/#d.en.55930" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">st-andrews.ac.uk/art-history/p</span><span class="invisible">rospective/pgr/funding/#d.en.55930</span></a><br><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/PhDScholarship" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PhDScholarship</span></a> <a href="https://det.social/tags/StAndrews" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>StAndrews</span></a> <a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtHistory</span></a> <a href="https://det.social/tags/Funding" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Funding</span></a></p>
Nullmuseum<p>Museumskritik für Hacker*innen, Mitschnitt hier:</p><p><a href="https://media.ccc.de/v/38c3-glam-zwischen-lod-und----museumskritik-fr-hacker-innen" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">media.ccc.de/v/38c3-glam-zwisc</span><span class="invisible">hen-lod-und----museumskritik-fr-hacker-innen</span></a></p><p><a href="https://hcommons.social/tags/38c3" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>38c3</span></a> <a href="https://hcommons.social/tags/museum" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>museum</span></a> <a href="https://hcommons.social/tags/openglam" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>openglam</span></a> <a href="https://hcommons.social/tags/glam" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>glam</span></a> <a href="https://hcommons.social/tags/lod" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>lod</span></a> <a href="https://hcommons.social/tags/digamus" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digamus</span></a> <a href="https://hcommons.social/tags/digitalhumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalhumanities</span></a> <a href="https://hcommons.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalarthistory</span></a> <a href="https://hcommons.social/tags/kunstgeschichte" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>kunstgeschichte</span></a></p>
Harald Klinke<p>Quantitative Network Analysis in Investigating Global Processes of Contemporary Artistic Production by Júlia Perczel highlights how network analysis aids understanding the global art market. By integrating digital and critical theory approaches, it uncovers art market dynamics, institutional practices, and transformations in local art scenes. However, it also reveals the challenge of balancing institutional analysis with aesthetic considerations.</p><p><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/NetworkAnalysis" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NetworkAnalysis</span></a></p>
Harald Klinke<p>Martina Bobinac’s study, A Discursive Analysis of 1950–1990 Articles on Croatia’s “Non-European” Ethnographic Collection, traces shifts in the portrayal of the “Other” in Croatian public and cultural spheres. Using Python-based natural language processing, the study analyzes 81 articles to observe a transition from colonial to anti-colonial discourse, aligned with Yugoslavia’s Non-Aligned Movement. <a href="https://hrcak.srce.hr/file/467634" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">hrcak.srce.hr/file/467634</span><span class="invisible"></span></a> <a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/PostcolonialStudies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PostcolonialStudies</span></a></p>
Harald Klinke<p>New issue: Journal of Modern and Contemporary Art and Architecture (Vol. 114, No. 1, 2024)<br>Articles include studies on art reproduction, modern architecture, digital art history, and semantic models: <a href="https://hrcak.srce.hr/broj/25098" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">hrcak.srce.hr/broj/25098</span><span class="invisible"></span></a> <br><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/ModernArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ModernArt</span></a> <a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a></p>
Harald Klinke<p>Introducing IMGS.AI, a multimodal search engine revolutionizing Digital Art History! Built with cutting-edge ML models like CLIP, it addresses image retrieval challenges and proposes solutions for standardizing feature extraction.<br>By <span class="h-card" translate="no"><a href="https://sigmoid.social/@zentralwerkstatt" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>zentralwerkstatt</span></a></span> &amp; <span class="h-card" translate="no"><a href="https://fedihum.org/@peterbell" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>peterbell</span></a></span><br><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/MachineLearning" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MachineLearning</span></a> <a href="https://det.social/tags/ComputerVision" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ComputerVision</span></a> <a href="https://det.social/tags/CLIPModel" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CLIPModel</span></a> <a href="https://det.social/tags/HCI" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>HCI</span></a> <a href="https://det.social/tags/BigImageData" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>BigImageData</span></a> <a href="https://det.social/tags/FeatureExtraction" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FeatureExtraction</span></a> <br><a href="https://dahj.org/article/imgsai" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">dahj.org/article/imgsai</span><span class="invisible"></span></a></p>
Harald Klinke<p>The Munich Memorandum "Research Data in Art History: 10 Theses" outlines key requirements and initiatives for developing digital art historical research data in Germany. It aims to publish structured, sustainable data to support interdisciplinary research and knowledge production. This effort enhances the transparency of research processes and strengthens the role of research data in cultural preservation.<br><a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtHistory</span></a> <a href="https://det.social/tags/ResearchData" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ResearchData</span></a> <a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://det.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalarthistory</span></a></p><p><a href="https://doi.org/10.11588/artdok.00009194" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">doi.org/10.11588/artdok.000091</span><span class="invisible">94</span></a></p>
Nullmuseum<p>Ein Rückblick auf ein <a href="https://hcommons.social/tags/Wikidata" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Wikidata</span></a> Seminar an der TU Berlin. </p><p>Hier die Kurzfassung, ausführliche Beschreibung mit Links und Literatur auf dem Blog: <a href="https://nullmuseum.hypotheses.org/1173" rel="nofollow noopener noreferrer" target="_blank"><span class="invisible">https://</span><span class="">nullmuseum.hypotheses.org/1173</span><span class="invisible"></span></a></p><p>Dank dem Projekt "Sum of all paintings" gibt es dort die Kataloge der Staatlichen Museen als Kopie, mit der wir arbeiten können, die wir selbst ergänzen können. </p><p>Die Studierenden der Kunstgeschichte haben vorbereitend zu Kunst des 19. Jahrhunderts aus dem Berliner Museum <a href="https://hcommons.social/tags/AlteNationalgalerie" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AlteNationalgalerie</span></a> recherchiert. Am 1. Tag des Blockseminars ging es darum, den Aufbau von Wikidata kennenzulernen und erste Daten-Abfragen zu schreiben (zum Beispiel alle Werke die Berliner Motive haben auszugeben). Am 2. Tag die vorab recherchierten Informationen im richtigen Format in Wikidata einzutragen. Und am 3. Tag die Ergebnisse mit Visualisierungs-Tools von Wikidata (Karten, Timeline, Netzwerkvisualisierung) zu vermitteln. </p><p><a href="https://hcommons.social/tags/museologie" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>museologie</span></a> <a href="https://hcommons.social/tags/kunstgeschichte" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>kunstgeschichte</span></a> <a href="https://hcommons.social/tags/wikidata" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>wikidata</span></a> <a href="https://hcommons.social/tags/museum" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>museum</span></a> <a href="https://hcommons.social/tags/openglam" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>openglam</span></a> <a href="https://hcommons.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalarthistory</span></a></p>
Harald Klinke<p>JOB: Professur für Digitale Kulturen und Digital Humanities (m/w/d) an der Universität für Weiterbildung Krems, Fakultät für Bildung, Kunst und Architektur, Department für Kunst- und Kulturwissenschaften. <br>Bewerbungsfrist: 02.09.2024. ⭐️<br><a href="https://arthist.net/archive/42438" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">arthist.net/archive/42438</span><span class="invisible"></span></a></p><p><a href="https://det.social/tags/Professur" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Professur</span></a> <a href="https://det.social/tags/DigitaleKulturen" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitaleKulturen</span></a> <a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://det.social/tags/Krems" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Krems</span></a> <a href="https://det.social/tags/UniKrems" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>UniKrems</span></a> <a href="https://det.social/tags/Stellenangebot" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Stellenangebot</span></a> <a href="https://det.social/tags/DigitaleKunstgeschichte" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitaleKunstgeschichte</span></a> <a href="https://det.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalarthistory</span></a></p>
Harald Klinke<p>🌟 Don't miss the event of the year for <a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a>! 🌍 </p><p>DAHSS: Sustainability and Politics of AI, Málaga, 2-7 Sep 2024. Join top scholars to explore AI's impact on art, sustainability, and politics. Apply by 10.07.2024!</p><p>More info: <a href="https://dahss.iarthislab.eu/2024/program/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">dahss.iarthislab.eu/2024/progr</span><span class="invisible">am/</span></a> <a href="https://det.social/tags/AI" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AI</span></a> <a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtHistory</span></a></p>
Harald Klinke<p>CFP: "Methodologies and Applications of Image Understanding in Cultural and Artistic Heritage" in Journal of Imaging. <br>Submit manuscripts by Oct 31, 2024. Topics include deep learning, computer vision in art, and cultural heritage. <br><a href="https://www.mdpi.com/journal/jimaging/special_issues/HRWOVBODES" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">mdpi.com/journal/jimaging/spec</span><span class="invisible">ial_issues/HRWOVBODES</span></a><br><a href="https://det.social/tags/AI" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AI</span></a> <a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtHistory</span></a> <a href="https://det.social/tags/CulturalHeritage" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CulturalHeritage</span></a> <a href="https://det.social/tags/ComputerVision" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ComputerVision</span></a> <a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a></p>
Harald Sack<p>Our colleague <span class="h-card" translate="no"><a href="https://blog.epoz.org/" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>epoz</span></a></span> improved the search interface of the iconclass webpage. You can search now IC codes for semantically similar terms as well as get recommended IC codes for an uploaded picture, based on visual similarity with already annotated resources.</p><p>Webpage: <a href="https://iconclass.org/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">iconclass.org/</span><span class="invisible"></span></a><br>Paper: <a href="https://www.fiz-karlsruhe.de/sites/default/files/FIZ/Dokumente/Forschung/ISE/Publications/Conferences-Workshops/The-Art-Historian-s-Bicycle-Becomes-an-E-Bike-POSTHUMUS-VisART2022.pdf" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">fiz-karlsruhe.de/sites/default</span><span class="invisible">/files/FIZ/Dokumente/Forschung/ISE/Publications/Conferences-Workshops/The-Art-Historian-s-Bicycle-Becomes-an-E-Bike-POSTHUMUS-VisART2022.pdf</span></a></p><p>To be able to search, you have to register and log in.</p><p><a href="https://sigmoid.social/tags/dh" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>dh</span></a> <a href="https://sigmoid.social/tags/arthistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>arthistory</span></a> <a href="https://sigmoid.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalarthistory</span></a> <a href="https://sigmoid.social/tags/machinelearning" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>machinelearning</span></a> <a href="https://sigmoid.social/tags/search" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>search</span></a> <span class="h-card" translate="no"><a href="https://wisskomm.social/@fiz_karlsruhe" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>fiz_karlsruhe</span></a></span> <span class="h-card" translate="no"><a href="https://sigmoid.social/@fizise" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>fizise</span></a></span></p>
FIZ ISE Research Group<p>We are happy to tell you that the following paper of our colleague <span class="h-card" translate="no"><a href="https://blog.epoz.org/" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>epoz</span></a></span> has been published in the International Journal for Digital Art History:</p><p>Langmead, A., Helmreich, A., Ladd, J., Gao, J., Lin, J., Palmer, R., Posthumus, E., Zhang, H., Brosens, K., Beerens, R. J., De Prekel, I., Lamqaddam, H., Micklewright, N., Mirza, S., Simavi, Z., Smith, J., <br>Network Analysis + Ditigal Art - A Roundtable on a Collective Scholarly Experience</p><p><a href="https://journals.ub.uni-heidelberg.de/index.php/dah/article/view/90725" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">journals.ub.uni-heidelberg.de/</span><span class="invisible">index.php/dah/article/view/90725</span></a></p><p><a href="https://sigmoid.social/tags/dh" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>dh</span></a> <a href="https://sigmoid.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalarthistory</span></a> <a href="https://sigmoid.social/tags/arthistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>arthistory</span></a></p>
Jon Ippolito<p>How are traditional expectations of authorship, copyright, and provenance buckling under stress from AI? Join this Tuesday 4:30pm EDT conversation from <span class="h-card"><a href="https://digipres.club/@DigitCurator" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>DigitCurator</span></a></span> with Christiane Paul, probably the best-known name in digital curation, who's explored these questions for over a decade <a href="https://blog.still-water.net/digital-curation-in-the-shadow-of-ai" rel="nofollow noopener noreferrer" target="_blank"><span class="invisible">https://</span><span class="ellipsis">blog.still-water.net/digital-c</span><span class="invisible">uration-in-the-shadow-of-ai</span></a></p><p><a href="https://digipres.club/tags/Collections" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Collections</span></a> <a href="https://digipres.club/tags/Data" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Data</span></a> <a href="https://digipres.club/tags/DataViz" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DataViz</span></a> <a href="https://digipres.club/tags/DigitalCuration" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalCuration</span></a> <a href="https://digipres.club/tags/GLAM" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>GLAM</span></a> <a href="https://digipres.club/tags/Museums" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Museums</span></a> <a href="https://digipres.club/tags/AIethics" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AIethics</span></a> <a href="https://digipres.club/tags/AIimages" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AIimages</span></a> <a href="https://digipres.club/tags/GenerativeAIArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>GenerativeAIArt</span></a> <a href="https://digipres.club/tags/DigitalArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArt</span></a> <a href="https://digipres.club/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://digipres.club/tags/GenerativeArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>GenerativeArt</span></a></p>
Harald Klinke<p>This new anthology on Digital Art History critically explores the theoretical underpinnings and political dimensions of using digital technology in the field. It addresses the need for critical reflection on how digital tools, including <a href="https://det.social/tags/AI" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AI</span></a>, are reshaping museum and collection management practices.<br><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/MuseumTech" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MuseumTech</span></a> <a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtHistory</span></a><br><a href="https://www.intellectbooks.com/critical-digital-art-history" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">intellectbooks.com/critical-di</span><span class="invisible">gital-art-history</span></a></p>
Harald Klinke<p>But perhaps we just need to get used to a new medium that, like cinema, takes us into a different world, where the tightrope walk between historical accuracy and contemporary fiction is precisely what makes it so appealing.<br><a href="https://det.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalarthistory</span></a> <a href="https://det.social/tags/arthistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>arthistory</span></a></p>
Tessa Gengnagel<p>Meine Diss ist nun endlich als Monographie im OA erschienen: <a href="https://doi.org/10.11588/arthistoricum.1132" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">doi.org/10.11588/arthistoricum</span><span class="invisible">.1132</span></a> (PDF vom Buch + kapitelweise).</p><p>Thema: "Digital Scholarly Editions Beyond Text". Geht um Bilder, Filme, Mittelalter, 20. Jahrhundert, Modelltheorie (Kybernetik, Hermeneutik), Superstrukturen, Faksimileeditionen, Panofsky, Heidegger, Dilthey, Lotman, Kulturerbe an und für sich, Digital Humanities an und für sich, mehr fällt mir gerade nicht ein.</p><p><a href="https://fedihum.org/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://fedihum.org/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://fedihum.org/tags/DigitalFilmStudies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalFilmStudies</span></a> <a href="https://fedihum.org/tags/DSE" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DSE</span></a></p>
Harald Klinke<p>Call for Chapters : Digital Humanities. Application of Computer to the Arts and Interdisciplinary Perspectives. <br>Submit your original research on topics like Digital Tools in Art History, DH Techniques, Virtual Reality in the Arts, and more. Submission deadline: March 20, 2024.<br><a href="https://www.infoclio.ch/de/cfp-digital-humanities-application-computer-arts-and-interdisciplinary-perspectives" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">infoclio.ch/de/cfp-digital-hum</span><span class="invisible">anities-application-computer-arts-and-interdisciplinary-perspectives</span></a> <br><a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://det.social/tags/CallForPapers" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CallForPapers</span></a> <a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a></p>
Harald Klinke<p>Digital Innovation of the Year</p><p>Digital Benin, launched in 2022, praised for its database on Benin Bronzes, is relaunching with 5,000 archival documents. The platform addresses restitution debates while updating incomplete data from the National Museum in Lagos. Challenges include documenting returns to Nigeria amid ownership uncertainties. Digital Benin aims to be a prototype for similar research platforms.</p><p>Congratulations! <a href="https://det.social/tags/digitalhumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalhumanities</span></a> <a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a> <br><a href="https://www.apollo-magazine.com/digital-innovation-winner-apollo-awards-2023/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">apollo-magazine.com/digital-in</span><span class="invisible">novation-winner-apollo-awards-2023/</span></a></p>
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Harald Klinke

Exploring 'meaningful' human-AI collaboration in humanities research! This study delves into art historical image retrieval using computer vision tools: transparency, epistemic awareness, data context, and interaction support.
#ArtHistory #AIResearch #DigitalArtHistory
🎨💻🤝 @kaglinka

dl.acm.org/doi/10.1145/3610054

Proceedings of the ACM on Human-Computer InteractionCritical-Reflective Human-AI Collaboration: Exploring Computational Tools for Art Historical Image Retrieval | Proceedings of the ACM on Human-Computer Interaction Just as other disciplines, the humanities explore how computational research approaches and tools can meaningfully contribute to scholarly knowledge production. Building on related work from the areas of CSCW and HCI, we approach the design of ...
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