Author(s): BlorgBlorgBlorg
Title: Never Trust a Zone Warden
Dystopia/urban themed single map with Q2-esque mission objectives
https://www.slipseer.com/index.php?resources/never-trust-a-zone-warden.266/updates
#alkaline #dystopia #first-map #objectives #sci-fi #urban #slipseer #quake
Title: Never Trust a Zone Warden
Dystopia/urban themed single map with Q2-esque mission objectives
https://www.slipseer.com/index.php?resources/never-trust-a-zone-warden.266/updates
#alkaline #dystopia #first-map #objectives #sci-fi #urban #slipseer #quake
![The image depicts an old-fashioned urban setting, likely from the early to mid-20th century. The prominent feature is a row of classic automobiles parked along what seems to be a street in front of commercial buildings. There are at least four cars visible: two sedans and two trucks, all with rounded body shapes indicative of models produced during that era.
The first car on the left appears worn out, with its wheels exposed due to missing hubcaps or tires, suggesting it might not be in regular use or could have been involved in some form of mechanical failure. The second vehicle is a sedan directly behind the first one; this car shows signs of rust and age but retains most of its body panels.
The third automobile from the left appears somewhat better maintained compared to the others with visible wheels, though it's still quite old-fashioned by today's standards. It has distinctive side mirrors attached at an angle—a design characteristic of certain vintage models.
Finally, there is a sedan on the far right; this vehicle seems relatively well-preserved and might be in working condition. Its headlights are intact, as opposed to many other vehicles that have missing or broken lamps.
The buildings lining the street include a storefront with "SAFEWAY" signage above its entrance—a company known for grocery stores established during World War II—and another establishment featuring an advertisement for Coca-Cola's popular [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/174/745/164/274/645/original/79da1e488a3b73b2.jpeg "The image depicts an old-fashioned urban setting, likely from the early to mid-20th century. The prominent feature is a row of classic automobiles parked along what seems to be a street in front of commercial buildings. There are at least four cars visible: two sedans and two trucks, all with rounded body shapes indicative of models produced during that era.
The first car on the left appears worn out, with its wheels exposed due to missing hubcaps or tires, suggesting it might not be in regular use or could have been involved in some form of mechanical failure. The second vehicle is a sedan directly behind the first one; this car shows signs of rust and age but retains most of its body panels.
The third automobile from the left appears somewhat better maintained compared to the others with visible wheels, though it's still quite old-fashioned by today's standards. It has distinctive side mirrors attached at an angle—a design characteristic of certain vintage models.
Finally, there is a sedan on the far right; this vehicle seems relatively well-preserved and might be in working condition. Its headlights are intact, as opposed to many other vehicles that have missing or broken lamps.
The buildings lining the street include a storefront with \"SAFEWAY\" signage above its entrance—a company known for grocery stores established during World War II—and another establishment featuring an advertisement for Coca-Cola's popular [...]")
![The image is a black and white photograph showing an older man standing against a wooden fence. He appears to be in his late fifties or early sixties with short, graying hair and wearing glasses on the bridge of his nose.
He's dressed casually yet formal for that era; he wears a suit coat over a lighter-colored shirt paired with dark trousers. On each lapel of his jacket are three pin badges, suggesting some form of political affiliation - possibly related to union activity or local activism given their context in this historical image setting.
Behind him is what appears to be campaign signage featuring the name "Gov. Brown," which could imply that he's standing for election as a governor candidate with support from organized labor (as suggested by his badges and CIO membership). The environment suggests rural America during early mid-20th-century times, possibly relating to agricultural issues given its historical context.
The photograph is credited to Dorothea Lange who took this picture in April 1938. It captures a poignant moment of American history where workers' rights were being fought for and social justice movements had gained momentum during the Great Depression era when such struggles became increasingly visible through media like photographs by renowned journalists from that time.
The image conveys an aura of determination, resilience, yet perhaps also vulnerability considering his age and apparent workin [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/122/738/236/638/934/original/f2261b4dc49727b6.jpeg "The image is a black and white photograph showing an older man standing against a wooden fence. He appears to be in his late fifties or early sixties with short, graying hair and wearing glasses on the bridge of his nose.
He's dressed casually yet formal for that era; he wears a suit coat over a lighter-colored shirt paired with dark trousers. On each lapel of his jacket are three pin badges, suggesting some form of political affiliation - possibly related to union activity or local activism given their context in this historical image setting.
Behind him is what appears to be campaign signage featuring the name \"Gov. Brown,\" which could imply that he's standing for election as a governor candidate with support from organized labor (as suggested by his badges and CIO membership). The environment suggests rural America during early mid-20th-century times, possibly relating to agricultural issues given its historical context.
The photograph is credited to Dorothea Lange who took this picture in April 1938. It captures a poignant moment of American history where workers' rights were being fought for and social justice movements had gained momentum during the Great Depression era when such struggles became increasingly visible through media like photographs by renowned journalists from that time.
The image conveys an aura of determination, resilience, yet perhaps also vulnerability considering his age and apparent workin [...]")
![The image is a black and white photograph depicting two men in what appears to be an agricultural setting, likely from the early 20th century. The man on the left wears a wide-brimmed hat, overalls with rolled-up sleeves, and boots, suggesting he may be engaged in manual labor or fieldwork. He leans against a makeshift wooden table, which is supported by two sawhorses.
The second man stands behind the first, wearing a light-colored suit jacket, dark vest, trousers tucked into knee-high leather boots, and also with a hat resembling a bowler or derby style. His posture indicates he might be in conversation or offering assistance to the other man.
They are surrounded by rows of crops that extend beyond them, indicative of cultivated fields commonly found on agricultural farms during this era. In the background, there's what looks like a wooden crate filled with harvested produce and some scattered debris around the field ground.
The overall atmosphere is one of quiet industriousness typical of rural labor scenes from historical America. The image captures a moment that could be associated with tasks such as crop checking or harvesting in agricultural settings where manual work was prevalent, possibly reflecting on issues related to farm workers' conditions during the early part of this century's Great Depression era.
There are visible inscriptions and marks suggesting it might have been taken for official documentation [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/107/218/034/831/021/original/81978c899cb251bf.jpeg "The image is a black and white photograph depicting two men in what appears to be an agricultural setting, likely from the early 20th century. The man on the left wears a wide-brimmed hat, overalls with rolled-up sleeves, and boots, suggesting he may be engaged in manual labor or fieldwork. He leans against a makeshift wooden table, which is supported by two sawhorses.
The second man stands behind the first, wearing a light-colored suit jacket, dark vest, trousers tucked into knee-high leather boots, and also with a hat resembling a bowler or derby style. His posture indicates he might be in conversation or offering assistance to the other man.
They are surrounded by rows of crops that extend beyond them, indicative of cultivated fields commonly found on agricultural farms during this era. In the background, there's what looks like a wooden crate filled with harvested produce and some scattered debris around the field ground.
The overall atmosphere is one of quiet industriousness typical of rural labor scenes from historical America. The image captures a moment that could be associated with tasks such as crop checking or harvesting in agricultural settings where manual work was prevalent, possibly reflecting on issues related to farm workers' conditions during the early part of this century's Great Depression era.
There are visible inscriptions and marks suggesting it might have been taken for official documentation [...]")
![The image is a black and white photograph depicting two individuals working in a cotton field. The person on the right appears to be picking or examining the cotton plants, wearing a cap, sunglasses, long-sleeve shirt, overalls, gloves, and protective headgear, possibly for dust protection. This individual's focus seems concentrated as they bend slightly forward towards one of the cotton bolls. In contrast, the second person on the left is turned away from the camera, with their back to us. They are also dressed in a long-sleeve shirt, overalls, and protective headgear similar to the first worker.
The field itself looks dry and arid, characteristic of agricultural landscapes during certain seasons or regions where cotton cultivation takes place. The plants have bolls ready for harvesting, indicating that it's likely harvest time. There is no visible machinery or other workers in close proximity; thus, this scene suggests manual labor as the primary method of cotton picking.
This photograph can be associated with Dorothea Lange, a renowned photographer known for her work during the Great Depression and World War II. Her works often highlighted social issues such as poverty, unemployment, and industrial agriculture's effects on rural life in America. The image is likely part of this body of work that documents agricultural laborers' experiences.
Please note that due to copyright restrictions, I cannot provide further de [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/104/253/183/887/122/original/819374bc0cec1198.jpeg "The image is a black and white photograph depicting two individuals working in a cotton field. The person on the right appears to be picking or examining the cotton plants, wearing a cap, sunglasses, long-sleeve shirt, overalls, gloves, and protective headgear, possibly for dust protection. This individual's focus seems concentrated as they bend slightly forward towards one of the cotton bolls. In contrast, the second person on the left is turned away from the camera, with their back to us. They are also dressed in a long-sleeve shirt, overalls, and protective headgear similar to the first worker.
The field itself looks dry and arid, characteristic of agricultural landscapes during certain seasons or regions where cotton cultivation takes place. The plants have bolls ready for harvesting, indicating that it's likely harvest time. There is no visible machinery or other workers in close proximity; thus, this scene suggests manual labor as the primary method of cotton picking.
This photograph can be associated with Dorothea Lange, a renowned photographer known for her work during the Great Depression and World War II. Her works often highlighted social issues such as poverty, unemployment, and industrial agriculture's effects on rural life in America. The image is likely part of this body of work that documents agricultural laborers' experiences.
Please note that due to copyright restrictions, I cannot provide further de [...]")
![The image is a black and white photograph depicting two women in an old wooden barn. The woman on the left, wearing a knee-length dress and apron, holds a young child who wears a light-colored bonnet or head covering. They appear to be standing close together as if engaged in conversation.
Behind them stands another woman with her back partially turned towards us; she is dressed similarly but has an apron that includes horizontal stripes at the waistline rather than vertical lines like on the first woman's dress, and dark shoes with laces. She looks down toward a bucket placed on what appears to be a small stool or bench.
The barn structure consists of wooden planks as walls with visible gaps between them which allow for glimpses into another part of this indoor space filled with more objects such as bags and cans indicating an environment where daily life activities are conducted, including the storage of food items. The floor is made up of what seems like dirt or concrete.
The lighting within the barn casts soft shadows on the subjects and their surroundings suggesting a source of natural light from outside viewable through gaps in walls but not directly illuminated by this external light source itself as evident in photo's overall exposure levels.
No specific details about gender, race/ethnicity are discernible due to historical context or photographic focus; however it is clear that these individuals belong perha [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/013/502/791/729/072/original/6e2c2873febb554d.jpeg "The image is a black and white photograph depicting two women in an old wooden barn. The woman on the left, wearing a knee-length dress and apron, holds a young child who wears a light-colored bonnet or head covering. They appear to be standing close together as if engaged in conversation.
Behind them stands another woman with her back partially turned towards us; she is dressed similarly but has an apron that includes horizontal stripes at the waistline rather than vertical lines like on the first woman's dress, and dark shoes with laces. She looks down toward a bucket placed on what appears to be a small stool or bench.
The barn structure consists of wooden planks as walls with visible gaps between them which allow for glimpses into another part of this indoor space filled with more objects such as bags and cans indicating an environment where daily life activities are conducted, including the storage of food items. The floor is made up of what seems like dirt or concrete.
The lighting within the barn casts soft shadows on the subjects and their surroundings suggesting a source of natural light from outside viewable through gaps in walls but not directly illuminated by this external light source itself as evident in photo's overall exposure levels.
No specific details about gender, race/ethnicity are discernible due to historical context or photographic focus; however it is clear that these individuals belong perha [...]")
![The image is a black and white photograph depicting an individual standing in front of a wooden fence with a rustic, weathered barn structure to the left. The person appears middle-aged or older, wearing work clothes including jeans, boots, and a long-sleeved shirt; they also don what looks like a straw hat for sun protection while holding a rifle at their side, indicative of someone who is familiar with outdoor activities such as hunting.
The environment suggests an old-fashioned rural setting in the early to mid-20th century. There are various objects scattered around: on the ground beside the fence lies a shovel and what seems like a piece of broken machinery or tool; bushes and trees surround this area, indicating that it might be located near woods or farmland.
In terms of context provided by the caption "Untitled photo," we understand that Roy Carlock is likely associated with an Ola self-help sawmill co-op. He's described as being well-versed in hunting activities due to his community status and sustenance needs during seasons where game was prevalent, indicating a reliance on natural resources for food.
There are visible writings or markings at the top left corner of this image which could be identifying marks from an archive but they're partially obscured by foliage. The overall atmosphere is one of simplicity and self-reliance in rural life with indications of human effort to adapt and survive through manual [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/949/196/428/198/119/original/acada856838eeaec.jpeg "The image is a black and white photograph depicting an individual standing in front of a wooden fence with a rustic, weathered barn structure to the left. The person appears middle-aged or older, wearing work clothes including jeans, boots, and a long-sleeved shirt; they also don what looks like a straw hat for sun protection while holding a rifle at their side, indicative of someone who is familiar with outdoor activities such as hunting.
The environment suggests an old-fashioned rural setting in the early to mid-20th century. There are various objects scattered around: on the ground beside the fence lies a shovel and what seems like a piece of broken machinery or tool; bushes and trees surround this area, indicating that it might be located near woods or farmland.
In terms of context provided by the caption \"Untitled photo,\" we understand that Roy Carlock is likely associated with an Ola self-help sawmill co-op. He's described as being well-versed in hunting activities due to his community status and sustenance needs during seasons where game was prevalent, indicating a reliance on natural resources for food.
There are visible writings or markings at the top left corner of this image which could be identifying marks from an archive but they're partially obscured by foliage. The overall atmosphere is one of simplicity and self-reliance in rural life with indications of human effort to adapt and survive through manual [...]")
